Tag: tour

HOLLOW I AM DROP BRUTAL EP ‘NEVERWAKE’

Nearly three years after debut release ‘Dead/sleep’, Utah rockers HOLLOW I AM are back with brand new release ‘Neverwake’.

With first single ‘Bloodletting’ setting an overall tone for the EP, the band truly “wanted to showcase a song that brings immediate chaos and energy when playing the first few notes.” – David Blake (Vocalist)

Make sure to listen to the track below and download their new EP available now!

FALLUJAH – UNDYING LIGHT – REVIEW

FALLUJAH’S fourth studio album ‘Undying Light’, following fan favourite album ‘Dreamless’ is to be released. From just one look at comments on single ‘Ultraviolet’, focusing on the debut of new vocalist Antonio Palermo, fans weren’t impressed. Yet, that was one single alone. With the new album out Friday 15th, it’s up to them to redeem themselves to old and new fans.
 
Each track as singular entities are falling on the weak side. Fallujah are trying to drift from the criticisms of ‘Dreamless’ and as an album, it’s a good drawn out emotional push. As single entities, the tracks are not as memorable. ‘Distant and Cold’ is one of the few tracks that is, more so because of its clear stylistic change. More atmospheric, quieter vocals, a nicer feeling. It is different, in turn making it memorable. Common sense , but it does stand out, emotive and relaxing. Vocally the same occurs on ‘Dopamine’, a bit more on the dull side at first, but slowly builds up .
 
Following on from build-ups and interest, ‘Departure’, the albums closing track is down to be the best on the album. Punchy riffs, heavy structure and its ability to keep up its strength throughout the progression of the track. There is definitely the same level of instrumental talent in this album. Heavy riffs protrude through ‘Glass House’ while quick paced drum beats power through ‘Sanctuary’ (despite the rest of the track taking time to push into an interesting boundary.) Yet, this cannot be described as the same Fallujah sound as before. With member changes, you either try to stick with the same sound or change, the middle mix the outfit have created sounds more like they are trying to be influenced by the old Fallujah, instead of BEING them or changing. It’s a copy that doesn’t work, is repetitive and slightly disappointing.
 
Even so, one thing Fallujah did nail is lyricism. With Palermo taking the role of song writing, the lyricism is stronger than ever on ‘Undying Light’. Clearly coming from a personal point in the band, it explains how the atmospheric melodies of the album fit so well with the lyrical pinpoints of the album. Narcissistic societies and similar themes are a key part of the album. This background idea helps set the album in stone, the ideas they wish to show and why.
 
There are different ways to evaluate the album, even score it dependant on the aspects chosen to take into account. Lyrically, ‘Undying Light’ is their strongest release, musically, not quite. As a whole the album is good, tipping the scales into generic melodic hardcore but still good. Separately dissecting each track is when the flaws come in. Fallujah gave it their best and with line-up changes it is hard, now is the time to push, now is the time to build.
 
Rating: 7.5

DOWNLOAD FESTIVAL REVEALS THIRD LINEUP ANNOUNCEMENT

Download Festival has unleashed a new set of bands for this year’s stacked lineup.

The variety ranges from larger bands such as Beartooth, Halestorm and Clutch, to smaller artists such as Parting Gift and Crystal Lake.

Check out the full list of new bands below!

  • Aaron Buchanan & The Cult Classics
  • Alcest
  • Animals As Leaders
  • At The Gates
  • Bad Wolves
  • Batushka
  • Beartooth
  • Behemoth
  • Black Peaks
  • Brothers Osborne
  • Cane Hill
  • Clutch
  • Coldrain
  • Conjurer
  • Crystal Lake
  • Deadland Ritual
  • Fever 333
  • Godsmack
  • Groundculture
  • Halestorm
  • Heart Of A Coward
  • Icon For Hire
  • Intervals
  • Last In Line
  • Like A Storm
  • Lost In Stereo
  • Love Bites
  • Municipal Waste
  • Ne Obliviscaris
  • Palaye Royale
  • Parting Gift
  • Redhook
  • Skid Row
  • Skynd
  • Stone Temple Pilots
  • Sumo Cyco
  • Those Damn Crows
  • Three Days Grace
  • Toska
  • Trash Boat
  • Twelve Foot Ninja
  • Vega
  • Wolf Jaw

OF VIRTUE – SUFFER – REVIEW

Christmas is over and Of Virtue are already hitting the ground running for the year ahead. Signing to Sharptone Records also comes the release of ‘Suffer’, a new step ahead for the group, but where does it hold up in the ratings?

Well, Of Virtue are undoubtly throwing the heavy punches to the track. Combining harsh and clean vocals perhaps takes the track to different tones, but as a whole the bands usual heavy influence still remains. Verses are heavy, gritty with a hardcore depth emerging juxtaposed by the melodic choruses where emotional depth is concieved. This is a contrast that works in the bands favour, with the balance almost right for the style of music Of Virtue are working to create. In terms of the tracks length, the breakdown is slightly underwhelming. Pehaps better fitting as a track intro, the breakdown leaves you wanting more. Something solidified, something to really impact listeners.

Of Virtue are still putting out good tracks. Trial and error is a factor all bands must embrace from time to time. ‘Suffer’ is still a great track with the potential still shining through from the band, its just the polishing that is the next stage.

8/10

 

TEDDY ROCKS FESTIVAL ANNOUNCE NEW WAVE OF BANDS

Teddy Rocks Festival have announced the first wave of bands on the bull for 2019’s full-on lineup. Featuring a mixture of bands known for generations, as well as newer artists on the scene, this announcement already makes a statement.

After moving Teddy Rocks to an outdoor field in 2015 for the three day event, the festival aims to raise money throughout its course for children’s cancer research. The festival also upholds its status, becoming larger each year and attracting more fans to the annual event. Headlining Saturday are nostalgic Christmas rockers The Darkness, with The Zutons rocking Sunday’s a lot. Spread across the three days are also a variety of artists from the likes of Dream State, Press To Meco and The Lounge Kittens, all doing their part for the fundraising festival.

Make sure to check out the full lineup below!

GIG REVIEW – AS IT IS – 28/11/18 MANCHESTER

As It Is are lined up to play their biggest Manchester show to date – headlining the O2 Ritz. Moving from a pop-punk happiness to a much darker ’emo’ style, it’s safe to say a happy-go-lucky bubblegum pop atmosphere was not to be achieved.
While the band have been around for years, Canadian synth-rock Courage My Love (6.5) supporting large shows on the scale of the Ritz isn’t their forte yet. First on, the struggled to form a connection with a crowd of unresponsive attendees and despite Mercedes’s beautiful vocals and attempts, little could be done to capture a crowd. Through no fault of their own, perhaps it was just a tough crowd. The trio are excellent performers, aside from a slight sound issue causing the bass to smother the guitars, they are indeed a very tight band musically. Unfortunately, this just wasn’t their night.
 
Don’t be surprised when we say Holding Absence (9) are one of the bands on the cusp of breaking out in 2019. Already building a reputation in the scene, the quintet embodied a heavier side of music fans were perhaps not expecting. Instantaneous energy and brilliant stage presence, there was no holding back even in slower tracks ‘Everything’. Musicality was on point as well as stage presence and audience connectivity. If one point was to be made, perhaps more on-stage connection between band members, but otherwise this is a band you will hear a lot about soon.
 
Finally, after embarking on their first UK tour by As It Is in 2015, Trash Boat (7.5) return as supports once again. Generating the largest crowd of fans in the audience, the participation and enjoyment from crowdsurfing fanatics and mosh pit enthusiasts was through the roof. Yet, the bands performance seemed to lack. After witnessing the performance previous runners Holding Absence gave, there was a lacking stage atmosphere. Undoubtedly, the outfit were strong musically, but there was little to make them stand out, little to push them out to those unaware of who they were. An improvement they can work on.
 
Edinburgh’s show turned out to be quite the disaster. Sets being cut short and violent security, As It Is (9) we’re clearly unamused by the events of the previous night. Yet, with a day off before Manchester, the band had recouped to give it their all for this show, notably the biggest performance to date in Manchester.
 
Building a bridge with an audience is fundamental for any live show, and such levels of doing so can easily be seen. Patrick Foley on drums, we will give a pass to. Spending a good half of the show hidden behind a smoke screen (despite a higher platform) its also not easy to give much interaction from so far at the back. What can be said however, is that it can be rather embarrassing when your touring guitarist Ronnie interacts more with the audience than some of the others. Older tracks dug out from the discography ‘No Way Out’ and ‘Can’t Save Myself’ saw lead vocalist Patty Walters moving across the stage singing to front. Yet, it did feel connectivity from bassist Ali Testo lacked majorly in comparison. Granted, it is hard to multitask with instruments and backing vocals, but if guitar/vocalist Ben Langford-Biss can do it, what is the excuse?
 
Harshness aside, an onstage connection between the band could be felt. It’s clear these tracks mean a lot to the group. One of the more emotional connections came mid-way through a the set, slowing down the pace with ‘The Question, The Answer’ and ‘Still Remembering’. Looking in-depth it is almost as if there is a small shift in the emotion of Walters, between gaps going up to fellow band mates mouthing the words ‘I fucking love you’. To see songs played so much still striking deep in the performers is a sight that is heart-warming, as well as showing the depth the band encapsulate in music. A song, perhaps unexpected in the set was ‘The Great Depression’s’ closing track ‘The End’. As a conceptual stage show, voiceovers and formulated colour schemes added to the atmospheric feel. As It Is had an idea for this stage show, but at time almost felt like they were holding back. Going full out could really skyrocket this show, perhaps a thought for their upcoming American show. Aside from a slight timing issue on the spoken word bridge of the closing track, a clever way to end the show.
 
But it’s the performance in the encore of previous and new singles saw energy ramp up ten-fold, something incredible from a band already giving a high percentage of their energy in the show. Ending on ‘Dial Tones’, ‘The Wounded World’ and ‘The Stigma (Boys Don’t Cry) pushed a strong end to the show. This group know how to structure a set. Even to the last minute all was given, with ‘The Stigma’ perhaps gaining the largest reaction of fans.
 
As It Is are pushing an important message in their music. To see a room of 1000+ people of all ages singing back such meaningful lyrics and embracing who they are is a beautiful sight. Such connections in the scene may be depleting but shows like this prove that there are still sparks in the darkness.

GIG REVIEW – AVENOIR – MANCHESTER 20/11/18

 
Brash, boisterous and bold. Avenoir (8.5) are not top of the list, or the most popular by any means. Hailing from Leeds, the melodic grunge trio are pushing boundaries to create wider audiences – starting with Manchester.
 
Thirty minutes, seven songs to capture an audience.
Despite being new to the Manchester scene, Avenoir stirred up an atmosphere instantly. With opener ‘Tadpole’, the trio melded together all the energy provided from previous frontrunners and exceeded it. Easier for a three piece? Perhaps, but for such a new band, this level of performance is definitely an impressive feat. As for musicality, aside from the occasional mis-timings, or flat notes, the band were tight. Even through unreleased single ‘Orpheus and Eurydice’, a high level of inter-band connection and timing was great. Yet, instrumental performance aside, ‘Krakow-P- presented the bands ability to transfer emotion from recordings to live. Whether this emotion is through playing or stage presence, the outfit are rather enjoyable to watch. Wrapping up with debut single ‘Leviathan’, the group packed the last reckless hit of their set. Even though the vocal harmonies may have been off at times, a development in sound always takes work. After 30 minutes energy is still at a high and infact leaves quite a memorable set.
 
Avenoir may not have had a huge audience, but they played to their best either way. For a band so young and new to the scene, perhaps other bands should look to these guys for live inspiration. Young, loud and reckless, maybe these guys could be next on your radar.