Tag: metal

DOWNLOAD FESTIVAL REVEALS THIRD LINEUP ANNOUNCEMENT

Download Festival has unleashed a new set of bands for this year’s stacked lineup.

The variety ranges from larger bands such as Beartooth, Halestorm and Clutch, to smaller artists such as Parting Gift and Crystal Lake.

Check out the full list of new bands below!

  • Aaron Buchanan & The Cult Classics
  • Alcest
  • Animals As Leaders
  • At The Gates
  • Bad Wolves
  • Batushka
  • Beartooth
  • Behemoth
  • Black Peaks
  • Brothers Osborne
  • Cane Hill
  • Clutch
  • Coldrain
  • Conjurer
  • Crystal Lake
  • Deadland Ritual
  • Fever 333
  • Godsmack
  • Groundculture
  • Halestorm
  • Heart Of A Coward
  • Icon For Hire
  • Intervals
  • Last In Line
  • Like A Storm
  • Lost In Stereo
  • Love Bites
  • Municipal Waste
  • Ne Obliviscaris
  • Palaye Royale
  • Parting Gift
  • Redhook
  • Skid Row
  • Skynd
  • Stone Temple Pilots
  • Sumo Cyco
  • Those Damn Crows
  • Three Days Grace
  • Toska
  • Trash Boat
  • Twelve Foot Ninja
  • Vega
  • Wolf Jaw
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GIG REVIEW – ARCHITECTS – MANCHESTER 15/01/19

Two shows in one city in a row. One sold out night down, one more to go. After selling out the original Manchester date for the UK/Europe album tour, a second night was on the list, on the verge of selling out. Can the groups still put on a energetic show for another night?

Beartooth (7) have been a name on the scene since 2012, leading up across many tours and releases. Stage-audience interaction was average, simple lyric repetition and speeches – on the more negative side. In perspective, it’s understand where Caleb comes from in his speech. Mental health issues never being overcome, but to state it will always be stuck in you is a little negative because it isn’t. Perhaps a poor word choice, but a nice message of accepting who you are. In terms of performance, they haven’t shown too much improvement. In terms of reciprocating recorded material live, the group do an impressive job. The issue is, there is little to separate them live from any other band. Besides the flag logo, Beartooth have little to separate them from the average metal band. An improvement that will come with time.

Architects (9) are no strangers to putting on incredible performances. Whether jumping on the Architects bandwagon before or after ‘Holy Hell‘, their popularity as a band has increased tenfold. Opening with the venue anthem Death Is Not Defeat an instant aura took over the Mancunian crowd. ‘Holy Hell’ has pushed Architects to new heights and this first track is a snippet of this peak.

Sam Carter is a entertaining frontman, both as a vocalist and in connection with the audience. Interestingly, even Dan Searle (drums) has a word for the audience, related to not chugging wine but a word either way. Also any band quoting the Scottish ‘Disgusting’ vine after whisperings within the in-ear monitors have clear interpersonal relationships with each other. Even in the crowd, people are encouraged to take part in the pits and sing alone with encouragement from Sam himself. Audiences make gigs as much as a band can. Any audience that stops the middle of a show pretending to row as pirates helps entertain quite a large majority of people to say the least.

Yet, an important part of the show revolved around the passing of bandmate Tom Searle. Emotional connections in a true form are hard to make work, but from a perspective hearing 4000 people clap and shout ‘Tom’, the emotional impact on the band was more than visible. From unscripted memories to the visual tribute following ‘Gone With The Wind’, Architects have developed an incredible connection with the audience. Something not expected On such a level.

On a lighter note, visuals were a surprising impact to the show. Adding small references to ‘Modern Misery’ and rarer setlist appearance ‘Momento Mori’ created a perfect balance of visual storytelling to the tracks. Dramatic use of pyrotechnics and Co2 cannons also added a kick to tracks such as ‘Mortal After All’, lifting the energy in quick succession. However, of the setlist is an aspect to improve. ‘These Colours Don’t Run’ being the oldest track following tracks ‘Broken Cross’ and ‘Naysayer’ from ‘Lost Forever // Lost Together’. Crafting a set list is difficult, but perhaps a bit more variation of older tracks could be a move forward

Of the night, the best performance comes in the form of single ‘Royal Beggars’. Proving Sam Carter’s ability to transition from brutal highs to low harsh vocals, its clear why this band are so respected. For a finale, ‘Doomsday’ sounds like a good form of closure. While loud and well executed in a musical sense, for a finale the performance sadly wasn’t as extravagant as expected. Still, not a negative ending, one that was rather enjoyable.

Consistently improving since 2004, Architects are reaching new heights of performance and audiences. A strong show musically with an honest appreciation for those around them.

OF VIRTUE – SUFFER – REVIEW

Christmas is over and Of Virtue are already hitting the ground running for the year ahead. Signing to Sharptone Records also comes the release of ‘Suffer’, a new step ahead for the group, but where does it hold up in the ratings?

Well, Of Virtue are undoubtly throwing the heavy punches to the track. Combining harsh and clean vocals perhaps takes the track to different tones, but as a whole the bands usual heavy influence still remains. Verses are heavy, gritty with a hardcore depth emerging juxtaposed by the melodic choruses where emotional depth is concieved. This is a contrast that works in the bands favour, with the balance almost right for the style of music Of Virtue are working to create. In terms of the tracks length, the breakdown is slightly underwhelming. Pehaps better fitting as a track intro, the breakdown leaves you wanting more. Something solidified, something to really impact listeners.

Of Virtue are still putting out good tracks. Trial and error is a factor all bands must embrace from time to time. ‘Suffer’ is still a great track with the potential still shining through from the band, its just the polishing that is the next stage.

8/10

 

BANDS SET TO BREAK IN 2019

Every year bands branch out and break out into the scene, making a monumental impact nobody expected. Last year’s list of Dream State, Stand Atlantic and Milk Teeth have all gone on to release new music, tour and gain international recognition. So, who’s making the list for 2019?

HOLDING ABSENCE

Holding Absence have gained a massive amount of traction this last year, from touring and creating a split EP with Loathe, to supporting As It Is across their recent November headliner. The band are destined to make an impact this year, releasing their self-titled debut album in  March and embarking on a national headliner in March 2019. Two massive events in the bands timeline in only the first quarter of the year. Trust us, Holding Absence are going to be around a lot, it won’t be long before you hear them too.

BEHIND BLUE EYES

Take a second to recollect – have you heard of Behind Blue Eyes? Perhaps one of the smaller bands on the list, but a band rising through the ranks quicker than you may expect.  Despite currently playing smaller shows, BBE won the oportunity to play alongside Our Hollow, Our Home this October in their ‘Road To Holloween’ competiton. Word is quickly spreading through the metalcore scene and within a year it’s safe to say these guys will go a long way.

SILENT PLANET

Teetering on the edge of popularity over the last year, the scales are about to tip. Silent Planet are only going to get bigger. Being added as a new support to The Amity Affliction/ Senses Fail co-headliner (remember the Bad Omens drama?), touring the UK and releasing their third studio album, they’ve already made waves in the coming year. Bands with already released material can still have their oportunity. Becomung Billboards #16 Top Current Album wuithin a week of release, racking up 913K streams and selling 8600 albums, these guys are firing up on our radar. Check them out, they’re ready for you.

GOLD STEPS

A little different to the alternative/metal dominated list, Gold Steps are a Texas based pop-punk band setting foot into the world of their genre. With popularity slowly building up over social media mentions, the outfit are slowly branching out through their American hokme country – soon to an international reach by the end of 2019. With some fiesty tunes already on the market, now is a good chance to really get familliar with the band themself.

TEDDY ROCKS FESTIVAL ANNOUNCE NEW WAVE OF BANDS

Teddy Rocks Festival have announced the first wave of bands on the bull for 2019’s full-on lineup. Featuring a mixture of bands known for generations, as well as newer artists on the scene, this announcement already makes a statement.

After moving Teddy Rocks to an outdoor field in 2015 for the three day event, the festival aims to raise money throughout its course for children’s cancer research. The festival also upholds its status, becoming larger each year and attracting more fans to the annual event. Headlining Saturday are nostalgic Christmas rockers The Darkness, with The Zutons rocking Sunday’s a lot. Spread across the three days are also a variety of artists from the likes of Dream State, Press To Meco and The Lounge Kittens, all doing their part for the fundraising festival.

Make sure to check out the full lineup below!

TECHFEST RELEASE FIRST LINEUP ANNOUNCEMENT FOR 2019

TechFest have released the first wave of bands playing the festival next summer, with some pretty big names gracing the bill.

Top of the bill sees death metal band Dying Fetus return to the UK for the first time since 2017, alongsie UK prog metal band Monuments, metal quartet Psycroptic and Boston hailing Revocation.

The 6th event held in Newark Showground, Nottinghamsire is set to take place from Thursday 4th July- Monday 8th with more announcements due in the next year.

Weekend tickets can be bought HERE and the current list of bands announced can be seen below! Let us know who you’re most excited to see.

Dying Fetus, MONUMENTS, PSYCROPTIC, John Gomm, Revocation, Archspire, BLACK TONGUE, Polaris, Black Crown Initiate, A Night In Texas, Sarah Longfield, Adimiron, Palm Reader, The Omnific, Voices From The Fuselage, Cold Night For Alligators, The Intersphere, 22, Time, The Valulator, Project MishraM, Jonestown, The Paralell, Hypophoria.

INTERVIEW – OLIVER KAMYSZEW – SCARIM MANAGEMENT

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The music industry is expanding every day, with exponential growth in all sides from PR to label managers becoming even greater. To see how the industry is moving, we talked to Oliver Kamyszew, a graphic designer turned PR, artist manager at Scarim Management and Black Box Booking about the industry and how it’s moving.

Who are you and how did you get involved with Scarim Management?

My name is Oliver Kamyszew and I am an artist manager and public relations representative at Scarim Management (www.scarimmanagement.com). I also book tours under the moniker Black Box Booking Agency. I got involved with Scarim Management during a time where I was working as a graphic designer and I came across a great band called, “Of Virtue”, whom I now represent. The band had a powerful album but little traction meanwhile I saw that my current colleagues & old friends had launched a management agency and I met with them to see if they’d be interested in representing Of Virtue. Instead they inspired me to take them on and start my current management career. This, of course, didn’t come randomly but instead because I had previous experience being in bands where I was in charge of finances, booking, and so on. Here I am today!

You also run Black Box Booking, an American based booking agency. Do both jobs as a PR manager and booking agent crossover? (EG: Is it easier to book the bands on your PR roster onto tours because of the agency?)

That’s correct, I run Black Box Booking Agency (can be found at www.facebook.com/blackboxbookingagency while we rebuild our website). I do not believe that either job crossover. In the case of that guy recently, whatever his name was, who spoofed the UK with his fake ticket sales and such, surely you can say they CAN go hand in hand if need be – but realistically speaking, when I work one job I do one and when I do the other I do that one. The only way it helps each other is if either one is well received for marketing purposes – so if a band is doing great things press-wise, the booking will be easier. If a band is touring hard and has a lot of attention because of that, it’s easier to get press interested. So on and so forth.

Do you feel that living in America makes it easier to get a job within the international music business path? (such as PR, management, labels etc)

No. What I believe has helped me, if anything, is living overseas in Asia for a number of years and learning about a number of scenes as well as having many friends and colleagues who have spent a lot of time in the international touring community.

What has been one of your greatest achievements working in the music industry so far?

First – Finding a team that believes in me and bands whom I respect and admire who allow me to work with them. Second, 1M+ streams on Of Virtue’s single “Surrounded” in 2018 alone, but that was this year and I’m only looking forward to a bigger, better 2019! Ask me this question again next year – I’ll have much more to say.

With streaming at its peak, from an industry perspective, do you feel the number of streams online more important than physical or online purchases?

Well – both are quite important, as they define different things and it takes many more streams to technically sell one cd (so support your friends by streaming a LOT or buying physicals!). However, if you’re looking at the future (which if you’re working any role in the music industry you always should be) then I would say streams are significantly more important now as they’re more accessible and now you don’t need as much help from an external source such as a label to help you reach your fans or get you paid if you know how to set up distribution and publishing collections. Basically – you can be more independent with streaming than you ever could be with a physical product.

With the closure of grassroots venues being a prevalent issue both in America and the UK, what do you believe can be done to stop these closures?

I believe this is a tough one. First, government art budgets. Second, more needs to be invested into making each small show with as much effort as a big one on the part of the promoter and the bands involved. There’s a lot of areas where bands and promoters could be picking up slack in both, America and the UK, especially with how oversaturated both markets are. But – this is also a time thing. We’re in the age of hip-hop and rock/metal are slowly dying – it’s an ebb and flow … It will come back, just like fashion.

Finally, what is your most controversial opinion about the music industry?

Maybe a few. First, there aren’t enough hours in the day for this line work and if you believe this is a 9-to-5 job then it’s not for you. Second, there are too many people not giving this job close to 100% of their time or effort band making the hard workers look bad. Go big or go home.
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