Tag: emo

AVENOIR – ORPHEUS AND EURYDICE – REVIEW

Avenoir have changed. With their original vocalist/bassist departing and two new members joining the party, there is a lot on the line for the Leeds quartet. ‘Orpheus and Eurydice’, named from the Greek myth tragedy (well the majority were tragedies) is the next step for the group. How does the story end?

A consistant buildup of intensity shrouds the track in a fuzzy, yet slightly distorted manner, bringing the power of the lyrics to light. Guitar solo? Not entirely necessary, but fits well enough that it isn’t too isolated, but adds some extra length and change to the track. The track is fairly similar throughout, but the slow build saves what could have ended up as a constant repetition. It isn’t bad, in fact, the melancholic guitar tones help bring a gloomy atmosphere to the track, similarly seen in their EP ‘3027‘.

However, there is an obvious change from their previous releases. This is always the risk when changing members, especially vocalists. The vocals aren’t mixed as well into the track, but with their distorted grunge style, this could be attributed towards their gritty, raw genre. Yet, what does come through is that the vocal tone is less fitting. Slightly off at points, and too separate from the rest of the track. As the track builds the vocals do become more fitting, clearly seen through in the lead-up to the tracks guitar-solo bridge. This helps settle the tracks flow creating more balance, but gaining this through the tracks entirety is the next step.

Avenoir have the musical potential as seen in their previous releases. With two lineup changes now in place, Avenoir could go down a completely different route. Finding the balance as a band is the next step and only time will tell if they will reach it.

Rating: 6/10

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CHIASMATA – HAUSTORIUM – REVIEW

If you are up to date on Manchester’s upcoming prog/metal scene, or Tech-Fest’s singular shows, you will most likely be aware of Chiasmata. A four piece, progressive rock forming in 2017, bringing a debut EP and single ‘Haustorium’ to the table. So what is there to say about the track?
 
Chiasmata bring some interesting technicality to ‘Haustorium’. Opening with a more technical bass/guitar crossover riff, the two create a deep, sombre tone that leads into the tracks next stage. Vocals are echoic creating a haunting atmosphere to the tracks already gloom-ridden atmosphere. While vocals are strong, more blending into the instrumental track is a potential improvement. But, this doesn’t bring the track down as the progression only strengthens the track.
 
 
This track is all about musical changes, with techniques and structures morphing throughout the 5 minute length. Absorbing other ideas, much like the metaphor of the tracks title, allows the track to bloom in many retrospective ways. Transforming the track from a haunting approach, to a much deeper, heavier progression. Transitions are smooth, each part more or less follows on from each other in a well written way. A little bit choppy, but smooth transitions run across the board. Yet, mid-track emerges a segment of the track that does feel cluttered. The heaviest part of the song seems to meld into a section of cluttered noise – making the track harder to listen to. This is only one segment though. The rest of the track is impressive, with the sound of every instrument prioritised.
 
Chiasmata have done a good job on ‘Haustorium’. A good progressive track with emphasis on every instrumental element, not just vocals. Make sure to catch them opening for Exist Immortal on Saturday 6th February in Manchester (Satan’s Hollow) to hear more!

Rating: 7.5/10

 

 

HARMED DROP BRUTAL NEW TRACK ‘JESTER’

Following on from debut EP ‘From Day One’, Hungarian metal band Harmed have dropped their newest single Jester.

Commenting on the release, Levi (vocals) explains “Jester” is a song about hate for those who ridiculed us in the past. It serves as a source of revenge.” The groups brutal take on their music shows a definite improvement in their musical abilities, despite the song being shorter than usual. Make sure to check out the video below!

https://open.spotify.com/track/1mqCIYsAg0jLycgoh5zZBd?si=hx0TF9YMS76z4cTESHIFnQ

DOWNLOAD FESTIVAL REVEALS THIRD LINEUP ANNOUNCEMENT

Download Festival has unleashed a new set of bands for this year’s stacked lineup.

The variety ranges from larger bands such as Beartooth, Halestorm and Clutch, to smaller artists such as Parting Gift and Crystal Lake.

Check out the full list of new bands below!

  • Aaron Buchanan & The Cult Classics
  • Alcest
  • Animals As Leaders
  • At The Gates
  • Bad Wolves
  • Batushka
  • Beartooth
  • Behemoth
  • Black Peaks
  • Brothers Osborne
  • Cane Hill
  • Clutch
  • Coldrain
  • Conjurer
  • Crystal Lake
  • Deadland Ritual
  • Fever 333
  • Godsmack
  • Groundculture
  • Halestorm
  • Heart Of A Coward
  • Icon For Hire
  • Intervals
  • Last In Line
  • Like A Storm
  • Lost In Stereo
  • Love Bites
  • Municipal Waste
  • Ne Obliviscaris
  • Palaye Royale
  • Parting Gift
  • Redhook
  • Skid Row
  • Skynd
  • Stone Temple Pilots
  • Sumo Cyco
  • Those Damn Crows
  • Three Days Grace
  • Toska
  • Trash Boat
  • Twelve Foot Ninja
  • Vega
  • Wolf Jaw

GIG REVIEW – ARCHITECTS – MANCHESTER 15/01/19

Two shows in one city in a row. One sold out night down, one more to go. After selling out the original Manchester date for the UK/Europe album tour, a second night was on the list, on the verge of selling out. Can the groups still put on a energetic show for another night?

Beartooth (7) have been a name on the scene since 2012, leading up across many tours and releases. Stage-audience interaction was average, simple lyric repetition and speeches – on the more negative side. In perspective, it’s understand where Caleb comes from in his speech. Mental health issues never being overcome, but to state it will always be stuck in you is a little negative because it isn’t. Perhaps a poor word choice, but a nice message of accepting who you are. In terms of performance, they haven’t shown too much improvement. In terms of reciprocating recorded material live, the group do an impressive job. The issue is, there is little to separate them live from any other band. Besides the flag logo, Beartooth have little to separate them from the average metal band. An improvement that will come with time.

Architects (9) are no strangers to putting on incredible performances. Whether jumping on the Architects bandwagon before or after ‘Holy Hell‘, their popularity as a band has increased tenfold. Opening with the venue anthem Death Is Not Defeat an instant aura took over the Mancunian crowd. ‘Holy Hell’ has pushed Architects to new heights and this first track is a snippet of this peak.

Sam Carter is a entertaining frontman, both as a vocalist and in connection with the audience. Interestingly, even Dan Searle (drums) has a word for the audience, related to not chugging wine but a word either way. Also any band quoting the Scottish ‘Disgusting’ vine after whisperings within the in-ear monitors have clear interpersonal relationships with each other. Even in the crowd, people are encouraged to take part in the pits and sing alone with encouragement from Sam himself. Audiences make gigs as much as a band can. Any audience that stops the middle of a show pretending to row as pirates helps entertain quite a large majority of people to say the least.

Yet, an important part of the show revolved around the passing of bandmate Tom Searle. Emotional connections in a true form are hard to make work, but from a perspective hearing 4000 people clap and shout ‘Tom’, the emotional impact on the band was more than visible. From unscripted memories to the visual tribute following ‘Gone With The Wind’, Architects have developed an incredible connection with the audience. Something not expected On such a level.

On a lighter note, visuals were a surprising impact to the show. Adding small references to ‘Modern Misery’ and rarer setlist appearance ‘Momento Mori’ created a perfect balance of visual storytelling to the tracks. Dramatic use of pyrotechnics and Co2 cannons also added a kick to tracks such as ‘Mortal After All’, lifting the energy in quick succession. However, of the setlist is an aspect to improve. ‘These Colours Don’t Run’ being the oldest track following tracks ‘Broken Cross’ and ‘Naysayer’ from ‘Lost Forever // Lost Together’. Crafting a set list is difficult, but perhaps a bit more variation of older tracks could be a move forward

Of the night, the best performance comes in the form of single ‘Royal Beggars’. Proving Sam Carter’s ability to transition from brutal highs to low harsh vocals, its clear why this band are so respected. For a finale, ‘Doomsday’ sounds like a good form of closure. While loud and well executed in a musical sense, for a finale the performance sadly wasn’t as extravagant as expected. Still, not a negative ending, one that was rather enjoyable.

Consistently improving since 2004, Architects are reaching new heights of performance and audiences. A strong show musically with an honest appreciation for those around them.

OF VIRTUE – SUFFER – REVIEW

Christmas is over and Of Virtue are already hitting the ground running for the year ahead. Signing to Sharptone Records also comes the release of ‘Suffer’, a new step ahead for the group, but where does it hold up in the ratings?

Well, Of Virtue are undoubtly throwing the heavy punches to the track. Combining harsh and clean vocals perhaps takes the track to different tones, but as a whole the bands usual heavy influence still remains. Verses are heavy, gritty with a hardcore depth emerging juxtaposed by the melodic choruses where emotional depth is concieved. This is a contrast that works in the bands favour, with the balance almost right for the style of music Of Virtue are working to create. In terms of the tracks length, the breakdown is slightly underwhelming. Pehaps better fitting as a track intro, the breakdown leaves you wanting more. Something solidified, something to really impact listeners.

Of Virtue are still putting out good tracks. Trial and error is a factor all bands must embrace from time to time. ‘Suffer’ is still a great track with the potential still shining through from the band, its just the polishing that is the next stage.

8/10

 

BANDS SET TO BREAK IN 2019

Every year bands branch out and break out into the scene, making a monumental impact nobody expected. Last year’s list of Dream State, Stand Atlantic and Milk Teeth have all gone on to release new music, tour and gain international recognition. So, who’s making the list for 2019?

HOLDING ABSENCE

Holding Absence have gained a massive amount of traction this last year, from touring and creating a split EP with Loathe, to supporting As It Is across their recent November headliner. The band are destined to make an impact this year, releasing their self-titled debut album in  March and embarking on a national headliner in March 2019. Two massive events in the bands timeline in only the first quarter of the year. Trust us, Holding Absence are going to be around a lot, it won’t be long before you hear them too.

BEHIND BLUE EYES

Take a second to recollect – have you heard of Behind Blue Eyes? Perhaps one of the smaller bands on the list, but a band rising through the ranks quicker than you may expect.  Despite currently playing smaller shows, BBE won the oportunity to play alongside Our Hollow, Our Home this October in their ‘Road To Holloween’ competiton. Word is quickly spreading through the metalcore scene and within a year it’s safe to say these guys will go a long way.

SILENT PLANET

Teetering on the edge of popularity over the last year, the scales are about to tip. Silent Planet are only going to get bigger. Being added as a new support to The Amity Affliction/ Senses Fail co-headliner (remember the Bad Omens drama?), touring the UK and releasing their third studio album, they’ve already made waves in the coming year. Bands with already released material can still have their oportunity. Becomung Billboards #16 Top Current Album wuithin a week of release, racking up 913K streams and selling 8600 albums, these guys are firing up on our radar. Check them out, they’re ready for you.

GOLD STEPS

A little different to the alternative/metal dominated list, Gold Steps are a Texas based pop-punk band setting foot into the world of their genre. With popularity slowly building up over social media mentions, the outfit are slowly branching out through their American hokme country – soon to an international reach by the end of 2019. With some fiesty tunes already on the market, now is a good chance to really get familliar with the band themself.